carnegies.co.uk | #Carnegies2026 | @CarnegieMedals
Tuesday 10th February 2026: The Carnegies, the UK’s longest running and best loved book awards for children and young people, today announced their longlists for 2026. Independent publishers excel on the longlist, with the Medal for Illustration featuring a fresh line up of 17 artists longlisted for the very first time. Identity is a stand-out theme across both Medals, explored through class, family, precious relationships, wild journeys and meaningful connections with nature. Retellings, folklore and history are also frequently used to reflect on the present, and a notable collection of funny books for all ages also make a joyous addition to the longlist.
A total of 37 titles have been selected from 20 different publishers; 19 titles for the Carnegie Medal for Writing, and 19 for the Carnegie Medal for Illustration.
The Carnegies are managed by CILIP, the library and information association, and celebrate outstanding reading experiences in books for children and young people. They are unique in being judged by librarians, with the Shadowers’ Choice Medal voted for by children and young people. The awards aim to spark a lifelong passion for reading by connecting more children with books that will change lives. To celebrate this mission and make the shadowing scheme more accessible, 2026 marks the piloting of a new age-inclusive longlist shadowing offer that will run alongside the established shortlist shadowing scheme. This development is designed to open Carnegie shadowing to all ages and provide more choice to groups taking part. The longlists were chosen from 127 nominations by the Judging Panel which includes 14 children’s and youth librarians from CILIP’s Youth Libraries Group.
The 2026 Carnegie Medal for Writing longlist is (alphabetical by author surname):
The 2026 Carnegie Medal for Illustration longlist is (alphabetical by illustrator surname):
Stella Hine, Chair of Judges for The Carnegies 2026, said: “Hearty congratulations to the longlisted authors and illustrators. The judging panel debated fiercely, and we are delighted to present two wonderful, mould-breaking, and inclusive longlists offering rich opportunities for children and young people of all ages to engage in reading. An exciting and diverse range of language and illustration styles is represented, as well as an eclectic and vibrant mix of themes, viewpoints and settings. In this National Year of Reading 2026, these lists signpost excellent books, authors and illustrators offering a wide range of reading interests for established and new readers alike.”
Five previous winners are longlisted for the Medal for Writing, including two-time Medal winner Anne Fine, who first won in 1989. Her book, On the Wall, is a warm novel aboutmoments of stillness in a busy, anxious world. Another two-time Medal winner is Patrick Ness, longlisted for his zany illustrated fiction, Chronicles of a Lizard Nobody, starringa young monitor lizard learning to understand the world. More recent winners on the longlist include Katya Balen for Ghostlines,an emotive tale of a girl’s deep connection to her island, Tia Fisher for her verse novel that explores consent and teen pregnancy in Not Going to Plan, and Jason Reynolds for Twenty-Four Seconds from Now, a tender story about a young man’s feelings in the lead up to losing his virginity.
Identity and relationships are strong themes throughout this year’s longlist, with a particular focus on family in Medal for Illustration longlisted picture book, Coorie Doon, illustrated by Jill Calder withblown ink pastels to reflect the dreamy Scottish lullaby shared between father and daughter. Blessing Musariri’s Medal for Writing shortlisted story, When It’s Your Turn for Midnight, is a rich exploration of life in Zimbabwe with generational bonds at its heart. Whilst these stories are about biological family, it’s the importance of friendship and found family that is central in Pil Van Martin’s wildly imaginative debut The Spick and the Span.For older readers, Louisa Reid’s YA novel, Handle with Care, explores the impact on relationships during a teen pregnancy. Class identity is also a key theme explored on both longlists, with Clara Dackenberg’s use of space in The Playdate emphasising the class divide between two families in the Medal for Illustration. On the Medal for Writing longlist, Brian Conaghan’s novel Stealing Happy follows a young man on a mission to outwit a loan-shark that his family were forced to borrow money from.
Using history as a tool for exploring identity and relationships has emerged as a key theme on thelonglist, with J.P. Rose, Kwame Alexander and Oboh Moses using it as a medium to explore Black identity. For the Medal for Writing,Kwame Alexander’s verse novel, Black Star, is set during segregation in 1920s America, where 12-year-old Charley dreams of becoming the first professional female baseball pitcher. Birdie byJ. P. Rose follows the story of a young girl moving from a home for mixed race children in 1950s Leeds, to the Yorkshire Dales. On the Medal for Illustration longlist, Oboh Moses uses exquisite light and shade to convey the lives of enslaved African women as they braid messages into their hair in Freedom Braids. On the Medal for Writing longlist, William Hussey sets his novel on the frontline in WW1 to tell a poignant story of forbidden love between two young men in The Boy I Love, with WW2the setting for Jenny Pearson’sShrapnel Boys, where two brothers are forced to question the motives and morals of others. Contrastingly, Josh Silver looks ahead with his dystopian YA thriller Traumaland, an exploration of mental health in a world in where the emotionally numb can pay to watch other people’s nightmares.
Exploring human connection through nature is another strong theme on both longlists, with Fia and the Last Snow Deer the only title to feature on both the Medal for Illustration and Medal for Writing longlist. Written in verse by Eilish Fisher and illustrated by Dermot Flynn, it explores a young girl’s determination to save her community in prehistoric Ireland. On the Medal for Illustration longlist; graphic novel, Wildful by Kengo Kurimoto, features a young girl finding solace from grief in a forgotten woodland; Be Back Soon, illustrated by Jenny Bloomfield, uses the passing of seasons to connect two brothers across mountains and oceans; and Good Golden Sun, illustratedby Brendan Wenzel, uses collage to depict the wonder of the sun.
Connecting to people and telling international stories through journeys is particularly prevalent within picture books on the Medal for Illustration longlist. The Endless Sea is a refugee story of one family’s perilous journey from Vietnam to the UK, emotively illustrated by Linh Dao, whilst the bright colours used by Baljinder Kaur inThe Sleeper Train whisk the reader away on a journey across India. The innovative use of tracing paper in The Paper Bridge, illustrated by Seng Soun Ratanavanh, depicts a delicate paper town establishing a connection to a nearby village, and Tull Suwannakit’s scrapbook style used in Higher Ground portrays a family’s journey of survival on their roof garden after a great flood.
Reimaginings and retellings are represented in both the Medal for Writing and the Medal for Illustration longlists. On the Medal for Writing longlist, Wolf Siren by debut author Beth O’Brien uses popular fairytale Red Riding Hood to explore menstruation and patriarchal themes, whilst Clara Kumagai’s Songs of Ghosts is a YA tale of longing and heartbreak inspired by Puccini’s Madame Butterfly. Two books on the longlist celebrate Irish folklore, with The Faerie Isle illustrated by Dermot Flynn using stunning contrasts of depth and light, whilst Steve McCarthy playfully depicts a young banshee forging her own path in Beanie the Bansheenie. Aimée de Jongh’s retelling of The Lord of the Flies is a cinematic graphic novel that lends an overarching sense of menace and power to the text.
Funny books and stories told with humour feature strongly on both longlists.On the Medal for Illustration longlist, the hyper-detail and quiet humour in The Ordinary Life of Jacominus Gainsborough, illustrated byRébecca Dautremer, is at stark contrast to the bold lines and muted colour palette used by Dan Santat in the absurdly deadpan, Don’t Trust Fish. Typical fairytale charm is turned on its head in two picture books; Sleep Tight, Disgusting Blob by Huw Aaron, a laugh-out-loud bedtime depicting traditional villains getting ready for bed, and in The Café at the Edge of the Woods by Mikey Please,an ambitiouscook must adapt her charming menu for a more gruesome mythical clientele. Kate Rolfe’s typography in Wiggling Words delivers a story about verbs in a playful forest of letters. On the Medal for Writing longlist, Rob Harrell uses humour to explore anxiety and OCD in Popcorn, and for older readers, Joanna Nadin’s YA Birdy Arbuthnot’s Year of ‘Yes!’ fizzes with joy following a young women’s mission to find excitement in 1960s London.
The shortlists for the 2026 Carnegies will be announced during a panel event at London Book Fair beginning at 3.15pm on Tuesday 10th March. The winners’ ceremony will be streamed and hosted live at the Cambridge Theatre on Tuesday 23rd June. The winners will each receive a specially commissioned golden medal and a £5,000 Colin Mears Award cash prize. The winners of the Shadowers’ Choice Medals – voted for and awarded by the children and young people – will also be presented at the ceremony. They will also receive a golden medal and £500 worth of books to donate to a library of their choice.
The 2026 Carnegie Awards are supported by three key sponsors: Scholastic, the official book supplier; ALCS; and Sora, the official digital partner. The longlists can be ordered and shortlists pre-ordered from Scholastic now. And the Sora student reading app will provide access to available longlisted titles and free access to all available shortlisted digital books for shadowing groups, enhancing inclusivity and fostering a love of reading among young people. First News are the official media partner.
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